Oh, hello!


London
United Kingdom

I am a strategy director with experience in all stages of brand strategy and execution. I work with CEO's on the future of their business, and I bring brands to life through tailored content. Whatever you need. I am based in London, but can work wherever you and your clients are.

 

 

Archive

April 2008 - November 2013

Three studios. Boundless creativity.

Camilla Grey


In the past week or so, I have embarked on a creative safari and visited three incredible studios. In Austin, Texas I stopped by the awesome Chaotic Moon and here, in San Francisco, I was lucky enough to visit Pixar and Madefire. These three studios could not be more different in terms of the work they produce, but they are alike in their dedication to their craft, attention to detail and their instinct for relentless innovation.



Chaotic Moon bills itself as a mobile studio and, with The Daily, Marvel and Disney on the sizzle reel, there is no denying their prowess in mobile experiences. However, as I discovered on an explosive tour by founder Whurley, this shop is making considerable steps towards world domination. The word ‘awesomeness’ is emblazoned in two-foot lettering across the largest wall in the main studio and yet it somehow feels like an understatement. Standing in midst of soldering irons, hacked Kinects, augmented reality paper, 3D printers, mind-controlled skateboards and a blender, Whurley talked at a thousand miles an hour about his ambitions for the company which has grown exponentially in just two years. With new, big-hitting partners onboard, and as they prepare to move into bigger offices up the road, the intention is to split Chaotic Moon into separate divisions in order to bring specific focus to gaming, software and - Whurley’s domain - labs. “Right now we’re like eighties Metallica”, explained Whurley, “we’ve not gone mainstream yet, but we’re smashing it underground”.


Madefire is close to my heart. Ben Wolstenholme, founder of Moving Brands where I worked for four years, took the decision to realise his vision for the future of storytelling early last year. Madefire is a comic book reader and creator tool which fundamentally disrupts the way people experience comics. I was part of the UK-based brand team behind Madefire, so it was fantastic to finally see the studio in real life. Incredibly detailed sketches lined the walls and, upstairs, some of the world’s best developers worked their magic. My visit came just days after their announcement of a strategic partnership with DeviantArt - a relationship which will expose a vast, global audience to the artistry and progressiveness within Madefire. Personally, it was fantastic to see Ben and his team just as their months of hard work and hustling began to pay off and I look forward to watching a dedicated fanbase build Madefire to superhero status.


Last but not least - Pixar. I am going to struggle to find words to accurately describe my experience within the walls of this prestigious studio. Awe-inspiring? Momentous? Life-changing even? Nothing is more thrilling than being part of a team who collaborate with and challenge each other in the quest for the best possible solution and to see how a diversity of talents and mind-sets can spawn a simple, beautiful output is specifically what makes me love what I do. At Pixar this spirit of game-changing group think was infused into the very fabric of the campus. It was evident in the ‘visitor’ sticker I was given at reception, it was there in the infamous artist huts behind the main hall, and it’s there in the animations loved by young and old around the world.



My host took me through Pixar's art gallery to show how a broad range of artistic styles and nuances inform what culminates in a distinctly "Pixar" visual language on-screen. He explained how a sketch will move from script to story to character to modelling to shading to sets and props to animation to simulation to lighting and, finally to rendering. "And that's just one frame!" - he said. Pixar, however, is not immune to the challenges of the moving world - like Chaotic Moon and Madefire too, their future lies in keeping a keen eye on the horizon. New audiences, new competitors and new technologies are all finding their way past security and sizing up the giant Luxo Jr on the concourse. Little have these external forces reckoned, however, to the legions of monsters, princesses, cars and toys awaiting them on the inside. At Pixar creative infinity is a given. It’s what lies beyond which remains unknown.

Thank you to Whurley, Ben and Andy for hosting me and taking the time to share their stories, ambitions and dreams with me.